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04 / MaterialsMaterials
Every material here is one we cut and sew on our own four lines. Each entry is written the way we would brief a buyer across a table: what it feels like, which bag it suits, and the limits to settle before you approve a sample — not a colour chart.
Swatches are available for most entries. Ask for the ones you need and they travel with the sampling quotation. MOQ is 3,000 pcs, or 1,000 pcs per colour on stock material; sampling takes about 7 working days.
EVA foam panel, 3 mm
What stops a soft cosmetic bag from collapsing around its contents: a 3 mm foam panel behind the…
Laminated non-woven, 80 gsm
The cheapest exterior that still looks deliberate: laminated non-woven prints in full colour and holds a shape once…
Washable kraft paper, 0.55 mm
For buyers who want the bag to read as paper rather than plastic: a kraft look that creases…
Nylon coil zip, #5
The default zip for cosmetic pouches: light, flexible, and it follows the curve of a soft bag opening…
Polished metal zip, #3
The part that decides whether a pouch feels expensive. A metal zip on a PU bag is usually…
Microfibre velvet lining, 200 gsm
For pouches that hold glass bottles: a soft pile interior takes the knock out of a bag that…
Microfibre velvet, 1.0 mm
A suede look without the hide: even surface, consistent colour across a run, and no natural marks to…
Microfibre suede, 0.6 mm
The thin version, used where a bag has to keep a soft look but still fold flat for…
Satin lining, 210T
The lining that makes a PU pouch feel like a gift when it opens. Costs little against the…
Genuine leather, full-grain, 1.2 mm
For the top of the range: a retail cosmetic bag or tote sold as leather, which has to…
Send the bottle size. Get a first view on cost.
Three fields now, or the fuller form if you already have the drawings. Either way a person reads it, not a queue.
Use the full form instead